An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African American maids’ point of view on the white families for which they work, and the hardships they go through on a daily basis.
Set in Mississippi during the 1960s, Skeeter (Stone) is a southern society girl who returns from college determined to become a writer, but turns her friends’ lives — and a Mississippi town — upside down when she decides to interview the black women who have spent their lives taking care of prominent southern families. Aibileen (Davis), Skeeter’s best friend’s housekeeper, is the first to open up — to the dismay of her friends in the tight-knit black community. Despite Skeeter’s life-long friendships hanging in the balance, she and Aibileen continue their collaboration and soon more women come forward to tell their stories — and as it turns out, they have a lot to say. Along the way, unlikely friendships are forged and a new sisterhood emerges, but not before everyone in town has a thing or two to say themselves when they become unwittingly — and unwillingly — caught up in the changing times. —Walt Disney Pictures In Jackson, Mississippi, in the 60’s, the aspirant writer Skeeter Phelan has just graduated and returns home after finding a job writing in a futile newspaper column in the local newspaper. When she arrives home, she finds that her nanny and family’s maid Constantine Jefferson is gone. Skeeter sees the chance of writing a book about the relationship of the black maids with the Southern society for an editor from New York. First she convinces Aibileen Clark to open her heart to her; then Minny Jackson is unfairly fired by the arrogant Hilly Holbrook, who is a leader in the racist high society, and Minny decides to tell her stories after finding a job with the outcast Celia Foote. Soon eleven other maids accept to be interviewed by Skeeter that also tells the truth about Constantine. When the book “The Help” is released, Jackson’s high society will never be the same. —Claudio Carvalho, Rio de Janeiro, Brazil The time, the early 1960’s, the place, Jackson, Mississippi. Eugenia Phalen – Skeeter to her friends and family – has just graduated from Ole Miss and has returned home in part to take care of her seriously ill mother. Unlike her female friends and colleagues who used their Ole Miss time solely to find a husband, Skeeter, who has never dated or had a boyfriend despite wanting romance in her life, strives primarily for a career, either as a serious journalist or editorialist. In Skeeter’s social circle, the family servants, called “the help”, are exclusively black. The female servants do the cooking and cleaning, but their primary responsibility is child rearing. The servants get passed down within families from generation to generation, so the child that they raised ultimately becomes the boss. Fifty year old Aibileen Clark is one such servant, who works for Skeeter’s easily influenced friend, Elizabeth Leefolt. Skeeter asks Aibileen to help her with her newly acquired job, answering a housekeeping advice column. However, incidents that happen around Skeeter, including her mother seemingly being less than forthright about what happened to their own now absent female servant, the elderly Constantine Jefferson, who raised Skeeter and who Skeeter loved like a mother, make Skeeter come to the decision to write about the experiences of the black female servants in relation to their white bosses. Elaine Stein, a senior editor with Harper & Row in New York, approves the concept, but she knows that Skeeter getting the servants to talk, which Skeeter ultimately discovers is against the law in Mississippi, will be difficult if not impossible. Aibileen, the first and only servant who Skeeter asks, initially refuses Skeeter’s request. But incidents around Aibileen ultimately get her and her acerbic-tongued best friend, Minny Jackson, who has long worked for the Walters family and now works for the Walters’ racist daughter Hilly Holbrook, to talk to Skeeter on the sly about their experiences. One of those incidents involves Hilly’s “Home Help Sanitation Initiative”, which would ban any black servant from using their white employer’s washroom. Minny’s experiences also include those with Celia Foote, a young uncultured woman new to the area who has never had servants, who is now married to Hilly’s old boyfriend Johnny Foote, and who is shunned by Hilly and her social circle for supposedly cheating with Johnny while he and she were still dating. Even if Harper & Row or any other firm publishes the book, Skeeter and by association any servant who helped her may have a continued rough road ahead in overcoming the resulting wrath, especially by Hilly and her type.